Poly Spandex fabric Palihapitiya believes that people need to break from these ‘social tools’ more often. Facebook is going through a period when the world is using this simple ‘friendly-neighbourhood’ platform as a tool to spread violence and hatred. You may have heard pretty often that one should not be addicted to social media platforms such as Facebook and Twitter. Despite the world relying on these platforms to communicate with people around the globe, these platforms still affect the human psychology by a huge margin. It seems that people who make these tools also think the same. In a recent interview with The Telegraph, Chamath Palihapitiya, who joined Facebook in 2007, also expressed similar concerns.“It literally is at a point now where I think we have created tools that are ripping apart the social fabric of how society works,” he told an audience at Stanford University. “We are in a really bad state of affairs right now, in my opinion, it is eroding the core foundations of how people behave by and between each other.

I feel tremendous guilt,” Palihapitiya said. “I think we all knew in the back of our minds, even though we feigned this whole line of ‘there probably aren’t any really bad unintended consequences’, I think in the deep deep recesses of our minds we kind of knew something bad could happen,” he added.However, there are ways to get rid of this issue. As Palihapitiya explains, “People need to hard break from some of these tools and the things that you rely on, the short-term, dopamine-driven feedback loops that we created are destroying how society works, no civil discourse, no-co operation, [but] misinformation and mistruth.”Facebook is going through a period when the world is using this simple ‘friendly-neighbourhood’ platform as a tool to spread violence and hatred across the young generations, who can be easily .influenced. The company has been trying several ways to filter out such negative content so as to keep the platform clean.(source) end-of acebook, social media

The renewed interest has made the sari a peg for every narrative of modern Indian womanhood—modernity, sexiness, nationalism, nostalgia, pride, power, politics, intelligence, slimness and even plus-size perfection.THE ASIAN AGE. The long trail of cloth of one straight single length without any zips or stitches ruled the catwalk with feminine grace, elegance and strength. “Sari epitomises our unity in diversity.” Pankaj and Nidhi, who presented a jumpsuit with a drape to emulate the pallu of the sari, shared, “We love structure, precision and bold cuts. So we did a sari in our signature style. It is a heady mix of elegance, sex appeal, feminine mystery, individuality and adaptability. Sari is the epitome of the essence of an Indian woman and it’s part of our cultural legacy. The stunning show was divided into five themes ranging from Blues, Pretty Floral, Tribal to Gold and Gothic. This is the sari of today,” said Anaita Shroff Adajania, celebrity stylist and fashion director. Nothing can make a woman look as feminine and elegant as a sari and I think that’s the reason it has not only remained an integral part of our country but spilled over to the international arena as well. Celebrating the grace and timeless appeal of the six yard, 60 top designers from India’s fashion circuit came together to present their own unique sari narrative. The new sari is like fusion music and it is more than a simple acquisition.0 – The Indian Sari Project’, was Vogue India’s runway debut and presented ‘Sari for Day, Sari for Play’.

From traditional to fashion-forward, some of the key pieces included quilted saris, pallu drape as a cape, party-ready versions, cool-girl casual in a gamut of fabric experimentation – jersey, steel, urban textiles and more.The show, part of ‘Vogue Empower 2. We all have different styles, ways and tastes but that one drape manages to wrap us all around with its unparalleled beauty time and again.” end-of amazon india fashion week, sari, sari-torial affair. The idea was to present different saris that could match the sensibility of an 18-year-old to an 80-something beauty. We just presented different interpretations and visions of the six-yard beauty. IST 60 top designers come together to present their unique sari interpretation, vision and narrative at AIFWAW17. From Abu Jani & Sandeep Khosla, JJ Valaya, Tarun Tahiliani, Aneeth Arora, Anavila Mishra, Shivan & Narresh to Vineet Bahl, Anamika Khanna, Anupama Dayal and Manish Arora, the simple sari was contextualised in the most current fashion trends and non-conformist styles. Also, what’s really interesting to note here is that unlike any other piece of clothing across the world, the sari is a garment that’s managed to survive from the past to present and has limitless possibilities for the future. Models in outfits by Rahul Mishra, Payal Pratap, Dhruv Kapoor, Abraham China Wholesale jacquard fabricThakore (Photo: Bunny Smith) The last show of the first day at the ongoing Amazon India Fashion Week made for a sari-torial affair. We have abundance of choices to pick up from — whether in the form of a special weave that’s close to our heart or a pattern that speaks to us in ways that can’t be put in words or a fabric we feel comfortable in or a favourite colour… there is a sari for everyone.Designer Urvashi Kaur echoed the sentiment, “The key word here is innovation, whether in textile or structure or silhouette or concept.